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Awaken Necropolis

from Awaken Necropolis by Baby Killer Estelle

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Urbanism is the modern method for solving the ongoing problem of safeguarding class power by atomizing the workers who have been dangerously brought together by the conditions of urban production. The constant struggle that has had to be waged against anything that might lead to such coming together has found urbanism to be its most effective field of operation. The efforts of all the established powers since the French Revolution to increase the means of maintaining law and order in the streets have finally culminated in the suppression of the street itself. Describing what he terms “a one-way system,” Lewis Mumford points out that “with the present means of long-distance mass communication, sprawling isolation has proved an even more effective method of keeping a population under control” (The City in History). But the general trend toward isolation, which is the underlying essence of urbanism, must also include a controlled reintegration of the workers based on the planned needs of production and consumption. This reintegration into the system means bringing isolated individuals together as isolated individuals. Factories, cultural centers, tourist resorts and housing developments are specifically designed to foster this type of pseudocommunity. The same collective isolation prevails even within the family cell, where the omnipresent receivers of spectacular messages fill the isolation with the ruling images — images that derive their full power precisely from that isolation.

The history that threatens this twilight world could potentially subject space to a directly experienced time. Proletarian revolution is this critique of human geography through which individuals and communities could create places and events commensurate with the appropriation no longer just of their work, but of their entire history. The ever-changing playing field of this new world and the freely chosen variations in the rules of the game will regenerate a diversity of local scenes that are independent without being insular. And this diversity will revive the possibility of authentic journeys — journeys within an authentic life that is itself understood as a journey containing its whole meaning within itself.


The most revolutionary idea concerning urbanism is not itself urbanistic, technological or aesthetic. It is the project of reconstructing the entire environment in accordance with the needs of the power of workers councils, of the antistate dictatorship of the proletariat, of executory dialogue. Such councils can be effective only if they transform existing conditions in their entirety; and they cannot set themselves any lesser task if they wish to be recognized and to recognize themselves in a world of their own making.

lyrics

Bored at work, bored at school
All the shit you endure, just for money
We’re not dying, we’re dead already
Sitting at home with your family
Living vicariously through your TV
We’re not dying we’re dead already
Why aren’t we dancing in the streets, and for what is this misery/
Nothing!

Sitting in the car, sitting in the bus
All the time spent getting from point A to point B
We’re not dying, we’re dead already
A million commercials for a million commodities
Obediently you desire everything that you see
We’re not dying, we’re dead already
Why aren’t we dancing in the streets, and for what is this misery?
NOTHING!
When we dance we wake the dead

No Gods, No Masters. No Cops No Bosses

Our houses are coffins, our buildings are tombs
The whole world’s become a cemetery
We’re not dying we’re dead already
Enough of this darkness, it’s time for some light
As our Molotov cocktails, will brighten the night
We’re sick of death, let’s come to life
And we’ll dance in the streets, yeah we’ll take back the streets
And say goodbye to misery….
ARISE!
Awaken Necropolis

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from Awaken Necropolis, released August 23, 2010

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Baby Killer Estelle Washington, D.C.

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